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Lord of the Frames: Kurt Kren by Peter Tscherkassky Translation: Elisabeth Frank-Großebner reprinted from exhibition catalog, Kurt Kren at Wiener Secession, 1996 In 1964, "Wien Film" refused to print 6/64 Mama und Papa. When Kurt Kren handed in the original, the film grader said with an undertone of sympathy that, given the many cuts, one would not be able to make out anything, anyway. His worries were groundless: when Kren came to pick up the print, some people with flushed faces left the projection room, telling him to get out and never to come back again. A few months later, a similar scene took place at "Listo", where 9/64 O Tannenbaum was not accepted. Kren ultimately found a place that took his films, based on actions by Otto Muhl and Gunter Brus: a house on Peter Kaiser Gasse in Jedlersdorf, a neighborhood in the East of Vienna, on the other side of the river Danube. There, in the 21st district, on the most remote outskirts of town, films were developed and printed in self-made contraptions reminiscent of washing-machine drums. The man who ran the business single-handedly intimated that he was used to explicit images owing to customers from the blue movie scene. The facts that the credits in a few Kren works from those days are slightly out of place and that the name "Kren" next to the copyright sign goes beyond the edge of the frame can be explained in this context. On request, credits were in-house productions, but they were made with a camera that had no view finder, for which reason slipped boards were none too unusual. There were no objections to the films' content, formal and creative issues played a secondary role. Be that as it may - the "© Kren" jutting out over the frame can easily be understood as a metaphor of the avant-garde and a harbinger of cinema outside the screen - Expanded Cinema. It is precisely during the "Jedlersdorf period" in his oeuvre that Kurt Kren demonstrates some of its best knacks to modern cinematography. (Source: http://www.hi-beam.net/mkr/kk/kk-bio.... http://www.ubu.com/film/kren.html

Horst Tappert plays a high-ranking dignitary in the Vatican who will soon be made a cardinal. But shortly before this goal, a young woman confronts him in the confessional and accuses him of hypocrisy. She reveals that she is his daughter, whose existence he did not know. Now he is faced with a choice: if he commits to her, he risks his appointment; If he denies her, he loses the only person who is close to him.

Martin Becker, a drug addict, journeys to Colombia seeking direct access to supply but vanishes. When his mother Lore is summoned to identify his body, she discovers the corpse isn’t her son, but just someone using his passport. With the aid of adventurous pilot Blain, she uncovers a jungle-backed drug ring where addicts are enslaved by the mafia. Filmed on location in Ecuador, this crime adventure follows their perilous quest for the truth.

One man interacts with an invisible orchestra, another one is stuck in a bin.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。